Showing posts with label guest post. Show all posts
Showing posts with label guest post. Show all posts

Nightspell Blog Tour: The Making of Nightspell



Today I'm pleased to introduce one of my favorite authors, Leah Cypess, talking about the process of revising Nightspell.


In the first parts of this feature (at See Michelle Read and Books Complete Me), I talked about the first two stages of writing Nightspell: writing and research. Here I’ll talk about the third: revision.
There were, roughly speaking, two stages of revision for Nightspell. The first was guided by my editor, who sent me huge heavy packages full of revision letters and marked-up manuscripts. Her notes spanned things from, “This character’s actions here make no sense,” to, “this seems like the wrong word.”

Some of the issues she pointed out could be fixed quickly. Others required me to go through the manuscript and change entire scenes, or write in adjustments that had to be made consistent over the course of the entire book. During the process of revision, I re-read Nightspell three million sixty thousand forty-eight times. Give or take.

Since Nightspell is told from the point of view of three different people, with the motives and knowledge of various other people to take into account, I also had to make sure that after all this revision was done, the manuscript still made sense. This wasn’t as easy as it sounds. My first step was to buy out Staples. Then I got to work. By the time I was done, I had an entire folder full of timelines, outlines, maps, and motivation charts.





The oaktag chart idea, which was the most useful, came from Lon Prater, a fellow writer and member of my online critique group. Diana Rowland, another writer, said she uses post-its on the living room wall. But I think my kids would find that a little too tempting. So for now, I’ll continue to use my assortment of charts and graphs… and be thankful that Staples opened a branch around the corner from me.

Guest Post and Giveaway: Natalie Standiford on Censorship

About Natalie
Natalie Standiford, author of "How to Say Goodbye in Robot," "Confessions of the Sullivan Sisters," and the popular "Space Dog" and "Dating Game" series, has written picture books, nonfiction, chapter books, teen novels, and even horror novels for young adults. Standiford also plays bass in the rock band Tiger Beat, with fellow YA authors Libba Bray, Daniel Ehrenhaft, and Barnabas Miller.
Find out more at her web site, www.nataliestandiford.com.







To me the central issue behind censorship is respect. Dictators who don't want their people to read what they please, who are afraid that exposure to new ideas will undermine their power, don't respect the people they rule. They don't respect their intelligence; they don't want them to develop intelligence. They only want obedience.

I studied Russian in high school and college and spent some time in what was then called the Soviet Union. Books, movies, music, news, and all kinds of art were heavily censored in Soviet Russia. The leaders wanted to control how their people thought—but it didn't work. The Soviet people knew they were being lied to. They were hungry for new ideas and forbidden books and found ways to gain access to them in the face of huge obstacles. The leadership could not stop them from thinking, no matter how hard it tried. And at last the Soviet regime collapsed. No amount of censorship could keep it going. In the end, censorship is futile.

Adults need to respect the intelligence and sensitivity of young people and allow them access to whatever books they want to read. Yes, words can be powerful; they can make people think. But they can't change who a person fundamentally is. Books cannot turn a good person into a bad person. But they can turn an ignorant person into a thoughtful person. The role of young people in our society is not to obey us blindly or to be who we want them to be. It's to explore who they want to be. They should be allowed to do that exploration freely, and part of that process is access to all kinds of ideas, all kinds of books and people, so they can sort out this crazy world for themselves. They are perfectly capable of doing this without adults controlling everything in their environment. Guidance is fine, but dictating will backfire, just as it did in the Soviet Union.


Giveaway

Enter to win a finished copy of HOW TO SAY GOODBYE IN ROBOT and CONFESSIONS OF THE SULLIVAN SISTERS by Natalie Standiford

Rules:
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  • Giveaway ends October 6, 2010 11:59 PM MST

Lise Haines Guest Post and Giveaway

Lise Haines
By: Lise Haines
Author of GIRL IN THE ARENA  (Review)

I was talking with a 16-year old girl the other day who lives in a pretty chill suburb. In fact, it’s so chill, so safe, that it’s been named the most boring town in its state. And I asked her to answer this question: If you were going to rate the world on a scale of 1-10, 1 being the most peaceful place imaginable, 10 the most violent, and you had to rate our planet as a whole, what number would you give it? She thought for a moment and said: “Eight. I wouldn’t want to lie to you. It’s definitely an eight.”

Last night, I saw INCEPTION and honestly, I can’t wait to see it again. I’m a movie addict and this one is visual perfection. I love the idea of dreams within dreams. And it’s cool that it conveys a message about confronting our demons. But there’s something else that’s undeniable about this film. Around all the gorgeous visuals and beautiful faces and dream weaving, there’s a whole lot of straight-up violence.
It makes me wonder if we’ve always had this much violence running amok in our subconscious life; if only a full measure of violence leaves us thoroughly entertained; if this is just part of big movie making now; if this is about paying tribute to other films like Blade Runner; if all of the above are true; or if I’m just taking things too seriously again. I do that sometimes.

When I was first working on GIRL IN THE ARENA, I was one of those people who had to turn away from most graphic/violent movie scenes. I’m not like that now. In order to understand the neo-gladiator culture I began to write about, I had to keep my eyes open. I didn’t understand, for a long time, why I was writing about such a violent world. In fact, I kept thinking the whole thing was pretty nuts. Hunger Games didn’t exist then, and I continually asked myself why I was writing this crazed book.

Finally, I just got excited about working in unfamiliar territory, where I was taking a lot of risks. And eventually, I began to understand that I was saying something about the impact of violence on our culture, especially on the way young women relate to, and interact with, a violent world. As I’ve written before, some of this came from the fact that tens of thousands of young American women have gone off to fight in foreign wars in the last decade. And if you add this to the intensity of some of the video games, what we see on the internet, 9/11…

So, after I saw INCEPTION, I began to think about my conversation with the 16-year old. If the world is an 8 to her, it really makes you think in a whole new way about what it’s like for a young woman in Afghanistan or the Gaza Strip or Somalia. I’ve trained myself not to look away like a whole lot of people, and for so many of us, the way to do that is to numb out a little or even a lot. And sometimes, we use that numb feeling when we watch the news, in order to know what’s happening but to not get entirely crushed by it. All of this makes me wonder how you would rate the world on a 1 to 10 violence scale, and exactly where you think we’re headed.

LISE HAINES is the author of three novels, Girl in the Arena, published in the US and the UK (Bloomsbury) and in Turkey (Alfa-Artemis Yayınevi); Small Acts of Sex and Electricity (Unbridled Books), a Book Sense Pick in 2006 and one of ten “Best Book Picks for 2006” by the NPR station in San Diego ; and In My Sister’s Country, (Penguin/Putnam), a finalist for the 2003 Paterson Fiction Prize. Her short stories and essays have appeared in a number of literary journals and she was a finalist for the PEN Nelson Algren Award.

Haines is Writer in Residence at Emerson College. She has been Briggs-Copeland Lecturer at Harvard, and her other teaching credits include UCLA, UCSB, and Stonecoast at the University of Southern Maine. She grew up in Chicago, lived in Southern California for many years, and now resides in the Boston area. She holds a B.A. from Syracuse University and an MFA from the Bennington Writing Seminars.

Author Website
Publisher's Website

Win a paperback copy of
By: Lise Haines

Synopsis:  It’s a fight to the death—on live TV—when a gladiator’s daughter steps into the arenaLyn is a neo-gladiator’s daughter, through and through.  Her mother has made a career out of marrying into the high-profile world of televised blood sport, and the rules of the Gladiator Sports Association are second nature to their family.  Always lend ineffable confidence to the gladiator.  Remind him constantly of his victories. And most importantly: Never leave the stadium when your father is dying. The rules help the family survive, but rules—and the GSA—can also turn against you. When a gifted young fighter kills Lyn’s seventh father, he also captures Lyn’s dowry bracelet, which means she must marry him... For fans of The Hunger Games and Fight Club, Lise Haines’ debut novel is a mesmerizing look at a world addicted to violence—a modern world that’s disturbingly easy to imagine.

To Enter:
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Contest ends 7/31, 11:59 PM MST

Guest Post: Regan Coomer on Egyptian Mythology

Egyptian Gods/Goddesses FAQ for “The Red Pyramid”: ‘cause Egyptian walking ain’t easy

WARNING: Carter and Sadie Kane may make you walk like an Egyptian.

Rick Riordan’s first installment in the Kane Chronicles, THE RED PYRAMID, picks up where the PERCY JACKSON AND THE OLYMPIANS left off with adventure, hilarious dialogue and of course, gods – this time of the Egyptian variety.

While I’ve always been a fan of mythology, Egyptian gods and goddesses can trip up even the diehard mythologist. To save you from repeated Googling, (like I did), here’s a go-to Egyptian gods list for you to print out and refer to while reading THE RED PYRAMID.

Gods & Goddesses you MUST know:

Osiris: God of the underworld, son of Geb and Nut, brother and husband to Isis (see how this can get confusing?)
Set: Brother to Osiris, god of the desert, storms, darkness and chaos.
Isis: Sister to Set, Osiris, Horus, Nepthys. Goddess of motherhood, magic and fertility.
Horus: Son/brother of Isis and Osiris, God of the sky, war and protection. King of the gods. Usually depicted with a falcon head.
Nepthys: Sister/wife of Set. Goddess who offered guidance to the newly dead and comforted mourners.
Anubis: Son of Nepthys/Set, God of mummification and the afterlife. (I originally mistook Osiris for him.) Usually depicted with a jackal head.
Bast: Goddess of protection, the sun and especially cats.

Gods & Goddesses it’s good to know:

Geb: Husband to Nut, god of the earth.
Nut: Goddess of the sky.
Ra: Ancient king of the gods. God of the sun. Depicted with a falcon head. All forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Humans were created from Ra’s tears and sweat.
Thoth: God of magic, writing, science, knowledge and judgment of the dead. Usually depicted with an ibis or baboon head.
Sobek: God of the river, warfare and fertility, depicted with crocodile head.
Serquet: Goddess of healing stings and bites, deification of the scorpion.

Egyptian words:

Ma’at: Egyptian concept of truth, balance, order, law, morality and justice.
Duat: Underworld.
Shabti: Figurines meant to be called upon to do manual labor in the afterlife.
Djed: Symbol of Osiris, representing stability.
House of Life: Per Ankh, most Egyptian temples had a “House of Life” where records were kept including mathematics, medicine, astronomy, geography, law and dream interpretation. Place where priests and scribes were trained.

Find out more about Regan Coomer’s “Thoughts about YA books for the not-so-young adult,” at regancoomer.wordpress.com.

Guest Post: Harmony on Genres

About Harmony (from her blog):
Fourteen.Freshieee xD. A bookworm to the extreme, a writer to the double extreme. Working on my paranormal romance/fantasy revisions. That and blogging/reading pretty much rule my life.
 
Hey guys, I'm Harmony B. from Harmony's Radiant Read's (www.harmonyradiantreads.blogspot.com) and I'm here to guest blog for the awesome Emily!

Go to Barnes and nobles and look at the YA section (or even your own bookshelf). Rattle off the genres. Which one is seeming to appear the most? In this industry now, paranormal romance and urban fantasy are reigning supreme over mystery, historical, commercial, and even fantasy (though FANTASY kicks major butt)

Now, a lot of people don't know the exact differences that separate paranormal romance from urban fantasy, and a lot of people don't know which one they're reading. I'm here to help!

There's a lot of small difference but the major one (and the most obvious by their titles) is that paranormal romance focuses on the romantic aspect of the story and urban fantasy focuses on the actual FANTASY part of the story.

PARANORMAL ROMANCE:

Basically, it's a romance with paranormal creatures and paranormal situations. The rules of romance novels must be followed expect for a few expectations. Most of the time, one or both of the people in love aren't exactly human and the plot is much darker and heavier than regular romance. You can't be able to take out the paranormal elements and still have a story for it to be a paranormal romance. If you can do that (which you better HOPE you can't), they're called paranormal lights. Which are like the wimpy cousins of paranormal romance. There are a lot of paranormal lights, for example (better not throw rocks at me for this) Little Mr. Twilight. It does not continue explaining the myth and background of the vampire but rather lingers on the whole 'I'm a vampire and I'm evil and why do you love me?!?!?!'

Paranormal romance can take any shape and form of genre! PR can be historical, urban fantasy, mystery, fantasy, scifi, etc.. etc.. but it will ALWAYS be categorized as PR.

URBAN FANTASY:

The setting of urban fantasy must (obviously) be set in an urban environment! It can have (and usually does) have paranormal elements but the main thing is that the romance (if it has) TAKES A BACK SEAT. Dark urban fantasy is pretty much the same thing but it focuses a lot of horror and bloody-ness and all that good stuff . If your going to write either, make sure you work on your World-Building. It's much more important in UF than in PR. In paranormal romance, the romance is the center so while the world-building has to be good and real, it will not the center of your book. This is something that is IMPORTANT to an Urban Fantasy book! Also, pay attention to the history of your paranormal-ness!

I think I named the basic differences between the two and that you have to pay attention to recognize each one.

I'm more of a paranormal romance kind of girl, though I do read urban fantasy. Good examples of paranormal romance are Jessica's Guide to Dating on the Dark Side by Beth Fantastsky, Hush Hush by Becca Fitzpatrick, Fallen by Lauren Kate, Wondrous Strange by Lesley Livingston, Wicked Lovely by Melissa Marr. I'm not much of a urban fantasy reader but I want to fix that! In the comments, tell me YOUR favorite Urban Fantasies!

It's been great guest-posting and I hope you guys at least got some book recommendation or learned about the differences between the two. If you already knew, go you!

All my information comes from this site: http://www.romanceaustralia.com/articles/urban.htm

I know you guys miss Emily so I shall take my leave.

-Harmony B.

Guest Post: Mel's Books and Info on Libraries and Librarians

Today's Guest Post is by Melissa from Mel's Books and Info.

From Mel's blog:

I am the Teen Librarian at a public library and have always loved to read. I focus mostly on teen titles, but I do have a few favorite adult authors that I tend to follow. I love to review the books I read and recommend them to others.


 
Ten Things I Wish People Knew About the Library and Librarians

1. We Love Our Jobs
The first thing that comes to mind when I think about what I wish people knew about librarians is that most of your librarians do the job because they love it.  Some people seem to think we are overpaid, but let me assure that is far from the truth especially when you consider that most librarians have to have a Master's degree to even work for the library.  No, we are really here because we love it.  We love books, we love uniting a person with the perfect book for them, and we love helping them find exactly what they need.  We love to see our patrons walk away satisfied and happy with a book they will enjoy. 

2.  We Love to Talk Books
We love patrons who return and tell us about the books or information we helped them find.  I love it when someone comes to me and tells me about the book I helped them with.  I don't care whether they liked it or not, I like hearing what they thought about it.  Of course, it is always better when they like the book, but if they didn't I am always willing to try again. 

3.  We are Fiscally Responsible
I wish people could know how fiscally responsible libraries really are.  My library is in the middle of a building project right now, and we have been criticized about building during a recession.  Our library saved money for years for this specific purpose, and all the money used on the building project was money we saved. We did not ask for loans or tax increases.  Also, building during the recession has helped out our community by saving money on contracting and building supplies while also creating jobs.  We also have to balance our budget responsibly each year to make sure that the patrons get the most bang for their buck.  We want to be the best, and we are experts at finding a good deal.

4.  We Want to Answer Your Questions
We love to answer questions, which is why we do what we do.  I work at our library's reference desk the majority of my workday, and the most brilliant thing about it, is that I never know what I am going to be asked next.  I have had some of the most hilarious questions, and some of the most serious ones.  My job is to help our library patrons find the answers they need, and I love doing it.  I always describe my job as one big scavenger hunt.  We don't know everything, but chances are we usually know how to find it.

5.  We Aren't Allowed to Read on the Job
One thing that always surprises our patrons when I tell them is that despite appearances, librarians are not allowed to read books on the job.  Funny, I know.  You would think that we would have all the time in the world to read because we work in a library.  On the contrary, we are not allowed to read on the job because our job is to help the patron.  So all the reading we do, we do on our own time because we love to. 

6.  Throw Out Those Old Stereotypes
Today's librarians come in all shapes, sizes, and ages.  We are not the stodgy librarian stereotype you so often see.  My favorite movie librarian of all time is Evelyn from the Mummy, because she was the opposite of that stereotype.  Yes, librarians do age, but we don't all wear buns and reading glasses.  As for the famous librarian shushing finger to the lips motion, did you know that shushing someone is a taboo in the library that will have all your fellow librarians laughing at you?  I am a young 30 something who would prefer to wear jeans and a t-shirt than standard work clothes and would, if our dress code didn't prohibit it.  I have never shushed anyone.  Librarians are not scary.  We are friendly and helpful, but we are people too and even we have down days.  Please come see us and ask a question, or tell us about what you are reading.  We love it when you stop by and talk to us.  You never know you might make our day!     

7.  Yes, People Really Do Steal and Vandalize Library Materials
One of the things that troubles librarians and libraries the most is when people steal or don't return our materials.  Our budgets are very limited and we do what we can to stretch them as far as they go, but sometimes we can't replace the items we lose.  We just don't have the funds.  We check out our materials for free, the least that can be done is to return those materials.  People always seem surprised when I mention that people steal and vandalize our materials.  It happens, even in the nicest communities.  It troubles me when I buy a book for our teen collection and I find out that it was stolen.  I try to think of it as someone needing that book more than we did, but what saddens me the most is that many others won't be able to read that book anymore. 

8.  We Don't Like Every Book We Buy For the Library
As a book selector for my library I often buy books I don't like.  I do that because I know my patrons will like them.  It is my job to make sure that the collection has a little bit for everyone.  I once read a librarian t-shirt that said, "If I am not offending someone, I am not doing my job."  I am happy to get a good diversity of books, even if I myself am offended by them.

9.  Libraries Are More Than Just Books
Today's library is more than just books.  We have computers, music, movies, downloads, audio books, and databases.   A library is more than just a building; it can be a cultural center, and a community asset.  It is the people who work there, and the patrons who support it. 

10.  Library Programs Take Months to Prepare
Library programs are planned months in advance.  Most people wonder why we canít turn around and have a program on their suggested topic the following week.  Well, it is because our programs are planned way in advance so we can be sure we have the appropriate advertising, rooms booked, supplies, guest speakers, and anything else we might need in order to make the program successful.  This also has a budgeting aspect to it too.  We want to do great programs, but we also have to keep a close eye on costs so that the programs and supplies are all within our budget.  At my library we start planning for Summer Reading Club as soon as this year's Summer Reading Club ends.  My fall program schedule is due this week.  So programs are literally scheduled months in advance. 

Libraries and librarians love to hear from our patrons, we like to help.  Stop in and say hi to your librarians the next time you are in the library.

Guest Post: Melina at Reading Vacation on Great Illustrated Classics

Today's Guest Post is from Melina at Reading Vacation.

From Melina's blog:
I am a ten-year-old girl who LOVES school and reading. I review Middle Grade and YA books for fun. Come take a Reading Vacation with me!






I discovered the Great Illustrated Classics at my library last summer.  These books are super special because they are children’s versions of classic books.  They have large print and a black-and-white drawing on every-other page, so they are easy and fun to read.

Once I got started reading them, I had a hard time stopping.  I am certain that I checked out every single book in this series that my library carried.  The children’s librarian used to giggle at me when I would come to the counter with a big pile of these books every week.  I was obsessed. 

There are so many classics to choose from.  Some are geared toward boys – Treasure Island, Dracula, Gulliver’s Travels, Robin Hood, and The Three Musketeers.  My brother has read The Swiss Family Robinson, The Time Machine, and 20,000 Leagues Under the Sea.  He was seven when he read them, and he was really proud to be reading classic chapter books.

It should be no surprise to you that some of my favorites were the girlie classics.  In particular, I adored Pollyanna, Anne of Green Gables, Heidi, Rebecca of Sunnybrook Farm, and The House of the Seven Gables.  There are even books that have several short stories in them like Cinderella and Snow White.

Oops, sorry for all the lists, but I REALLY liked so many of these books.  It is obvious why they are classics and I enjoyed every single page.  You can learn more about the Great Illustrated Classics here.  I wish they were coming out with more!

Melina at Reading Vacation

Leah Cypess Guestpost and Giveaway

Today I have the pleasure of introducing you to Leah Cypess. MISTWOOD is her debut novel and was released on May 1, 2010. Leah is posting today about books from your childhood that have had even greater significance as adults.

When my eighth grade class was reading Animal Farm, our teacher told us that her nine-year-old had just read and enjoyed the same book. She told us there was no contradiction; the book that could be enjoyed by a fourth-grader as a simple story about anthropomorphized pigs could also be taught to an eight grade class, who could understand it on a metaphorical level that the nine-year-old wouldn’t necessarily be ready for.

The same is true of some less famous works that aren’t as explicitly meant to be read on two levels.  One example is one of my favorite books of all time, Dogsbody by Diana Wynne Jones.  It was originally classified as mid-grade, I believe, and I read it for the first time when I was about ten years old.  I enjoyed it, but I recall being faintly puzzled by parts of it; and it certainly wasn’t, at the time, my favorite of Diana Wynne Jones’ books – it wasn’t even competition for the Cherstomanci books, or The Ogre Downstairs, or Howl’s Moving Castle.

Then I picked it up again as an adult, and I was blown away.  There are just so many things to love about this book, an incredibly original tale about Sirius, an immortal creature who is unjustly sentenced to life in a dog’s body on earth.  There is the subtle and powerful use of mythology, as when he joins the Wild Hunt.  There is the heartwrenching story of his owner, a girl named Kathleen suffering under prejudice and exploitation.  There is the humor (the scene where Sirius acted stupid for the benefit of a policeman had me helpless with laughter).  At the center of the book is the poignant love story between a girl and her dog.  And best of all, to me, is the sly and incisive commentary about blindness in relationships; from Kathleen’s foster father, who refrains from seeing problems unless they make him uncomfortable, and tries to make up for it by random and inadequate acts of kindness, to the main character Sirius, who can be more observant about people as a simple puppy than as a sophisticated immortal.

This is one of the reasons I’m so happy about the growing strength and breadth of the young adult genre; because it makes a new place for stories like Dogsbody – a 65,000-word funny, poignant book about an elemental turned into a dog and a middle-school aged girl. It makes a place for books that probably would never be published as adults books, but that aren’t really children’s books either.  Recently I was at Borders, and I was delighted to see Diana Wynne Jones’ books shelved in the young adult section.  It is, I think, where they’ve always belonged.

Dogsbody isn’t the only book of this type. Many other old favorites spring to mind.  Megan Whalen Turner’s The Thief, Eloise Jarvis McGraw’s Daughter of the Nile, and L.J. Smith’s The Night of the Solstice, to name just a few.  Any other recommendations?  What other childhood tales work even better when read as an adult?

Leave a comment on this post answering Leah's question and be entered to win one of 10 signed Mistwood bookmarks! Open internationally until June 24, 12:01 AM MST.

About Leah Cypess: I wrote my first story in the first grade. The narrator was an ice-cream cone in the process of being eaten. In fourth grade, I wrote my first book. It was about a girl who gets shipwrecked on a deserted island with her faithful and heroic dog (a rip-off of both The Black Stallion
and all the Lassie movies, very impressive).


However, I took a few detours along the way to becoming a full-time writer. After selling my first story ("Temple of Stone") while in high school, I gave in to my mother's importuning to be practical and majored in biology at Brooklyn College. I then went to Columbia Law School and practiced law for almost two years at Debevoise & Plimpton LLP, a large law firm in New York City. I kept writing and submitting in my spare time, and finally, a mere 15 years after my first short story's acceptance, I am a published novelist. I am very excited about this!

I live in Brookline, Massachusetts (right outside of Boston), with my husband and our two daughters.